Vaulting the rectangular bays of the Upper Nave at Santa Maria Novellaĥ. Methods of vault construction compared: the even-level-crown ribbed vault and theĤ. The Nave Vaults and a New Design for the Ecclesia Laicorum:Tradition, Compromise and Innovationġ The disconnect between the model and the nave as we see it todayĢ Florentine building materials and methods: tradition and invention at SMNģ. Portal: its Role in the Modelllum, within the Cimitero Superiore, and in theĬhapter Four. The Exterior Envelope of the Churh 1279-1302Ħ.1 The South and Est Perimeter alls and the AvelliĦ. Funding Construction: Contemporary SourcesĤ.2 Duccio’s Rucellai Madonna (1285) in Relation to the Construction of the TranseptĤ.3 The Corpus Domini Festival of 1295 and its Relevance to the Chronology of the Transept and Upper NaveĦ. Collaboration with the Commune of Florence: The New City Walls and the New Piazza of SMNģ. Collaboration with the Commune of Florence and the Early Years of Consruction at SMNġ.
Laying the Cornerstone of Santa Maria NovellaĬhapter Three. The Problem of Fra Sisto and Fra Ristoroħ. Aldobrandino Cavalcanti (1217-1279) and his Model for the New Churchĥ.1 Cavalcanti and the Papal Court in Orvieto and ViterboĦ. Architectural Models in the Late Middle Ages: A Brief Survey of Forms and Applicationsĥ. Potential Sources of the Original Design for Santa Maria Novellaģ.3 Cistercian Church Design in Central Italy 3.4 Potential Sources: A Brief SummaryĤ.
Basic Features of the Original Design for SMNģ. Preparations for Construction: Documemts and SourcesĢ. The Dominicans Decide to Build a New Church in FlorenceĢ.1 The Old Church: Santa Maria delle VigneĢ.2 The New Church: The So-called "Transept Church"ġ.
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